Although amnesia works as a convenient tool for writers, its prominence in fictional stories has created numerous misconceptions about the real-world condition.īefore delving into the differences between fiction and reality, it’s worth noting that amnesia is a broad term that denotes most forms of memory loss incited by external factors or internal problems, such as traumatic events and physical injury.
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Thrillers like Robert Ludlum’s “Bourne” series and “ Memento” create suspenseful mysteries featuring amnesiac protagonists, while many other films such as “ Finding Nemo” and “ 50 First Dates” use the condition for comedic effect.
Kate Bosworth, Wes Bentley, Olivia Rose Keegan, Shashawnee Hall, Richard Riehle, Patrick Bauchau, Mia Barron, Adam Moryto.Countless stories in fiction use amnesia as an integral plot point. Johnson 1st assistant director, Sazzy Lee Calhoun casting, Mark Tilman, Lee Broda. Camera (color, widescreen, HD), Jayson Crothers editor, Tim Alverson music, Aleks de Carvalho music supervisor, Sean Fernald production designer, Adam Henderson art director, Scott Hinckley set decorator, Steve Doxey costume designer, Lynette Meyer sound, Jennifer Ricciardi supervising sound editor/sound designer/re-recording mixer, Michael J. Co-executive producer, Philip Halpern.ĭirected by Michael Polish. Executive producers, Jacob Pechenik, David Gendron, Eric Brenner, Gary Becker, Adam Moryto, Aleks de Carvalho, Michael Kay, Jeff Rice, Sydney Holland, Erik Fleming, Alan Pao, Corey Large, Grant Guthrie, Kate Bosworth, Gary Preisler, Larry Guterman.
Produced by Richard Halpern, Lucas Jarach, Jason Price. Running time: 84 MIN.Īn XLrator Media release of an XLrator presentation of an Infra-Red Films production in association with Defiant Pictures, Jeff Rice Films, No Mystery Media, Rich Hippie Prods. and Wiretap Films. Why does Bosworth’s character seem to exist in her own vaguely 1930s style universe, while others (notably an ostentatiously bored Shashawnee Hall as a police detective who verrrrry slowly prepares to arrive in the climactic nick of time) exist in the here and now? Such fillips seem to be the director’s way of placing his idiosyncratic stamp on a film that (unlike most prior efforts) he didn’t have a hand in writing, but rather than seeming delightfully odd or enigmatic, they simply come off as irrelevant. There are numerous red herrings that add little to the core story, while some gratuitous eccentricities (like Bosworth performing a very bloody task while clad in a matronly white fur coat) seem airlifted in from an old-school Polish joint like “Twin Falls Idaho” or “Northfork.” Nor does the perfunctory addition of a couple of additional victims: a postman and a policewoman unlucky enough to drop by when Bosworth is busy being malevolent. Psychological and narrative backgrounding remain rudimentary, however, with far more attention given over to repeated, thwarted escape attempts that fail to stir much suspense. Meanwhile, the initially fragmentary flashbacks gradually reveal how things got to this less-than-pretty pass. Later he discovers he’s not the only living captive in the house. (A veterinarian by trade, she at one point ominously notes, “I put things to sleep for a living and they don’t wake up.”) When he finds a plastic-wrapped corpse in a basement cabinet, her response grows considerably more aggressive, encompassing restraints and electroshock therapy. Whenever he hobbles downstairs to explore the curiously under-furnished environs, she over-enthusiastically ushers him back to his room, possibly administering sedatives to keep him there.
He has no memory of their life together, let alone how he wound up with head trauma and a broken leg in this bed.ĭespite all the cooing ministrations, our protag finds wifey’s bedside manner unconvincing, as well he might. Theatrical launch on Aug. 14 at Los Angeles’ Arena Cinema is unlikely to do much more than raise “Amnesiac’s” profile a tad for its simultaneous home-format release.Īfter a brief prelude showing an apparent nuclear family unit driving along a country road prior to an accident, Bentley’s nameless character wakes up in an expansive, isolated home under the care of a likewise unnamed woman (Bosworth) who says she’s his wife. But even beyond its sketchy screenplay, the pic’s main problem is that Bosworth lacks the villainous authority required to make Mike Le and Amy Kolquist’s tricky if undercooked screenplay work. Helmer Michael Polish and his spouse-star, Kate Bosworth, were reportedly attracted to the project for the change-of-pace role it afforded her.
Remembering is hard for Wes Bentley in “Amnesiac,” but viewers will find it easy to forget this ineffectual mystery-thriller.
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